Maybe it was too much reality TV growing up, especially being raised on figures like Tiffany "New York" Pollard or A Different World's Whitley Gilbert, but bad girl protagonists are insta-buys for me. I love them, and I have a particular fondness for when they're black girls. We're already seen as so angry, but bad girl books show you not only why a girl could get to be so angry but also that you ain't seen nothing yet. I need more people to see how much joy there is in rage, and I chose to explain it with YA horror because it's a genre so driven by catharsis and mood that it's a perfect fit.
This book was Beautiful Gowns but make it horror—and I loved every second of it. While more of a thriller than horror, the kills in this one stick with me like its comparative film, Ready or Not did.
Our main character is the resident bad girl of her private school, and once she's lost everything she worked for, she's not afraid to be the villain for the bag. I love reading about ambitious girls who leave scratch marks behind them, and Adina practically plows through the book, telling everyone, "This is not America's Next Top Best Friend." Not afraid to lie, cheat, or steal your man, I’m still glad she got everything she wanted - especially because she took it for herself.
“A brutally honest and haunting cautionary tale…exposing the lie that is meritocracy and the unrelenting toll that being a final girl takes. A bloody tale spun masterfully…a dark delight.” —Faridah Àbíké-Íyímídé, New York Times bestselling author of Ace of Spades
A Black teen desperate to regain her Ivy League acceptance enters an elite competition only to discover the stakes aren’t just high, they’re deadly, in this “spine-chilling thriller” (Publishers Weekly).
You must work twice as hard to get half as much.
Adina Walker has known this the entire time she’s been on scholarship at the prestigious Edgewater Academy—a school for…
Even though Daisy and Brittney are the POV leads of this tale, Ivy – a character without a POV – is the reason I added this book to the list. All three girls are complex leads that seem to wind up tighter before the book delivers a gory, emotional gut-punch of an ending. It's like the embodiment of "they had me in the first half, I'm not gon' lie."
I still feel a swell in my chest when I remember the ending of this book. The feelings of unease I felt as I crept deeper into this haunted house story are just as memorable as the utter relief that ripped through me throughout the epic finale.
I cried, I screamed, and most importantly—I felt a LOT.
The Haunting of Hill House meets Sadie in this evocative and mind-bending psychological thriller following two teen girls navigating the treacherous past of a mysterious mansion ten years apart.
Daisy sees dead people-something impossible to forget in bustling, ghost-packed Toronto. She usually manages to deal with her unwanted ability, but she's completely unprepared to be dumped by her boyfriend. So when her mother inherits a secluded mansion in northern Ontario where she spent her childhood summers, Daisy jumps at the chance to escape. But the house is nothing like Daisy expects, and she begins to realize that her experience with…
It was fun to follow this pink-tinted journey—even though I can’t tell if it's pink from all the leotards or all the blood. I'm a sucker for atmosphere, and a bad girl story set against a backdrop of the cutthroat world of Parisian ballet was always going to be a win for me.
Immediately, I felt suffocated by Laure's world and her need to scrape for, claw for, and demand everything she deserves. I watched Laure put so much work into her craft only to be faced with ridicule and microaggressions, so when she finally decides to take what's her right – I’m egging her on.
At the core of the story, I had to admit I was happy to let the monster win.
Ace of Spades meets House of Hollow in this villain origin story.
Laure Mesny is a perfectionist with an axe to grind. Despite being constantly overlooked in the elite and cutthroat world of the Parisian ballet, she will do anything to prove that a Black girl can take center stage. To level the playing field, Laure ventures deep into the depths of the Catacombs and strikes a deal with a pulsating river of blood.
The primordial power Laure gains promises influence and adoration, everything she’s dreamed of and worked toward. With retribution on her mind, she…
Maddy is not, and never will be, a bad girl. She's just a scared girl that did some very, very bad things.
That doesn't mean I wasn't cheering her on. Maddy is the kind of heroine that I fantasized about jumping into the pages to fight for. I cussed out many a side-character in my head, just wishing they would try to talk to me like that so I could give them what they deserve.
But Maddy gets her lick back without my help - and it's a remorseless gorefest. The ending of this book is part slasher, part action film that I needed. After getting frustrated with all her hardships, I needed Maddy’s revenge to take over the book, just like her rage took over her.
* AN INSTANT NEW YORK TIMES BESTSELLER * INDIE BESTSELLER * JUNIOR LIBRARY GUILD SELECTION * KIDS' INDIE NEXT LIST PICK * NPR BEST PICK * KIRKUS BEST BOOK OF THE YEAR *
New York Times bestselling author Tiffany D. Jackson ramps up the horror and tackles America's history and legacy of racism in this suspenseful YA novel following a biracial teenager as her Georgia high school hosts its first integrated prom.
When Springville residents-at least the ones still alive-are questioned about what happened on prom night, they all have the same explanation . . . Maddy did it.
Katrell is none other than THEE most QUEEN bitch. Even I, a personal bad girl connoisseur, wouldn't pick a fight with her. When Katrell learns she can resurrect the dead, she's immediately thinking about her and hers – specifically her dog and her pockets.
She has a harsh, frustrating family situation, but this book surprised me with the moment she decided to take her life into her own hands.
That's when I knew I was in the presence of a bad bitch. Katrell does need saving, but that does not make her weak. It makes her that much more merciless to threats if they dare get in her way, and we love that for her!
For fans of Lovecraft Country and Candyman comes a witchy story full of Black girl magic! One girl′s dark ability to summon the dead offers her a chance at a new life, while revealing to her an even darker future.
“Practical Magic meets Black Girl Magic in this powerful addition to the YA canon. I couldn′t put it down.” —#1 New York Times Bestselling Author Victoria Schwab
Katrell can talk to the dead. And she wishes it made more money. She’s been able to support her unemployed mother—and Mom’s deadbeat-boyfriend-of-the-week—so far, but it isn’t enough. Money’s still tight, and to…
After her serial-killer dad on death row confesses to killing her mom, Temple Baker returns to their farm - once her father’s hunting grounds. It’s been turned into an overnight camp for queer, horror-obsessed girls, so Temple poses as a camp counselor to investigate the woods. While she’s not used to hanging out with girls her own age, she tries to fit in and keep her true identity hidden.
But when a girl turns up dead in the woods, she fears that one of her father’s “fans” might be mimicking his crimes. As Temple tries to uncover the truth, she realizes there may be something stranger and more sinister at work—and that her father may not have been the only monster in these woods.
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to the family's country manor house, where Mattie isolates and old ghosts start to come out of the woodwork.
It's a story about loss and depression; it's a story about friends who don't let you walk through the valley of death alone.
Ambrose Bancroft returns to London society with his younger sister, hoping they'll leave ghosts of memory behind. They have only each other left. While Ambrose attempts to draw Mattie out, dragging her to balls and threatening to seek suitors for her, his sister recoils from his meddling. Finally, when Ambrose compels her to attend art class before she's ready, Mattie paints something horrific enough to banish them from society in public disgrace.
At Linwood Manor, Mattie and Ambrose aren't as alone as they think. Taking advantage of Mattie's desperate need to find freedom, a vanishing room lures Ambrose's sister into…
